Choose a service and read more about what I offer. Every project is planned around your needs.
There are no fixed price packages, because every production is different. The price is always agreed per project.
I put together a crew to match the size of the production. A crew can have 2–10 people to achieve the result you want.
The video is planned as completely as possible before filming, so the schedule stays on track.
Pre-production defines, for example, the premise of the video, the target audience, the structure and the storyboard.
A crew is assembled for the project and the equipment for the production is planned.
The video is then filmed according to the plan.
Post-production covers editing, colour grading, sound design and any effects or 3D animation.
You also get B-roll footage to use freely in the future.
In addition to the video you order, you get ready-processed B-roll footage. There's no need to store all the raw material from the project – the useful shots are kept for future use.
No background music, title cards or added logos.
A colour-corrected and an uncorrected version, so the next editor can regrade the material from scratch.
A description and technical details of the content for archiving and reuse.
You can use the material freely in the future, for example for:
An international client collecting interviews on biogas, biomethane and combined heat and power.
netzerotube.com
See the other interviews on the website
A follow-along documentary published on TikTok about Sataedu automotive students' exchange in Hungary.

I offer photography separately for private clients and for companies and organisations.
Photography for companies and organisations is always agreed according to your needs.
Request a quoteWhen you order photos from me, I transfer the copyright and usage rights to you. You can use the photos freely on your own channels, now and in the future.
I edit and crop the photos for their intended use – for example, versions cropped for Instagram and images in the right size and format for your website.
You also get the original RAW files for your archive, so the photos can be edited and reused later.
Drone footage for videos and photos. A drone can also be used to digitally scan an area for 3D modelling.
Ask about aerial filmingTake your production to global distribution. With translations localised for each country, your content reaches viewers around the world even if they don't understand the original language.
Subtitles are created for the programme, or existing ones are used.
The subtitles are prepared for Super Intelligence by adding hidden context, so the translation reads naturally.
To make the translation natural in other languages too, I have the master translation for the bulk translation reviewed several times and correct it by hand. This makes the bulk translation as natural as possible.
I use Google's open, locally run TranslateGemma model to bulk-translate the subtitles into every language.
The translations are checked with a paid Super Intelligence model by comparing the original human-made reference translation with the machine translation.
For YouTube, I design the thumbnail layout and generate country-specific thumbnail versions in bulk with a paid image generation model via an API.
Depending on the platform, for example YouTube, I add the translations and the thumbnail and title versions for each language by hand.
This is my current workflow. Super Intelligence is developing fast, so the process keeps getting easier and faster over time.
I translated Daniel Ahola's video catalogue into 63 languages: Around the World in 60 Days (episodes 1–6) and I survived 7 days with the world's most disciplined people! (Shaolin warrior monks).
Same video, 63 languages — localised thumbnails
Get in touch and let's talk about your upcoming projects!
Email: kortesoja.iivari@gmail.com
Phone: 040 524 7918